Damyanti Biswas
Inaugural Award Commended

Picasso Dreams

by Damyanti Biswas

Jezebel owned a blue betta fish. She’d named him Moby Dick, hoping one day an Ahab would seek him, and find her instead.

Moby Dick swam about, flashing his colour, surfacing to check on Jezebel with his rotating eyes, begging for food from time to time. When he thought himself ignored, he curled up and moped at the bottom, behind a plastic rock and a lime green plant.

Moby Dick didn’t know Jezebel lived in a world of Picasso dreams or that she’d imagined him into being. A girl who liked appearances as much as she hated responsibility, Jezebel loved the bowl because its water never grew dirty, and the fish didn’t need feeding.

She could easily have given Moby Dick a large aquarium of his own, with a harem of betta wives, swimming in circles around floating plants, but she kept him alone, waiting.

Jezebel didn’t know she lived in someone else’s dream, a tousle-haired young man who sat chewing his pen by the window, waiting for his Muse.

He wrote about Jezebel, her betta fish, because he himself owned one. It swam around its bowl, mocking his efforts at poetry. He slammed the notebook down and went out to seek his writing friends. He needed to gripe.

His didn’t open that notebook again. Jezebel waited for Ahab. Moby Dick didn’t get fed. His scales remained bright, and their blue clashed against the lime green of the plant in Jezebel’s dreams.

About the Author

Damyanti BiswasDamyanti’s short fiction appears at Bluestem magazine, Griffith Review Australia, Lunch Ticket magazine, The First Line, Ducts.org by New York Writers Workshop, and other journals in the USA, Singapore and India. She’s featured in print anthologies by Twelve Winters Press, USA (Pushcart Nomination), and by major publishers in Malaysia and Singapore. She’s currently hard at work finishing her first novel. She tweets at @damyantig.

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Inaugural Award Short List

We had intended a short list of ten pieces, but due to the high quality of submitted fictions, we have increased our list to twenty.

Inaugural Bath Flash Fiction Award Short List
Fiction Title Author
A Life Lived in Colour Vanessa Savage
Animals Molia Dumbleton
Bait Trap Chrissie Cuthbertson
Blaze of Glory (The big Crunch) Richard Scarsbrook
Celebrating Jack Kirby Wright
Circus Simon Turner
I’m going to Tecumseh’s Point to pick up our
new dining room table I’ll be back soon
Gabriella Buonassisi
In the Final Analysis Richard Newton
John Ruskin and Turner in the Bashkirian Age Tom Offland
No Second Date – Explanation 5 Xanthi Barker
Picasso Dreams Damyanti Biswas
Radio Alarm William Davidson
Sailboats Sarah Henry
Scarlet Letters Lucy Lapinski
Stuck Veronique Kootstra
Synaesthesia Adam Trodd
Talc Nick Black
The Most Amazing Mark Ralph-Bowman
This Is How They Drown Eileen Merriman
To The Men I Have Tried To Seduce With Prose Lucy Durneen

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Inaugural Award Long List

With huge thanks to every writer who entered our Award from all around the world.

Inaugural Bath Flash Fiction Award Long List
Fiction Title Author
1492 Harold Bauld
A Life Lived in Colour Vanessa Savage
Animals Molia Dumbleton
Bait Trap Chrissie Cuthbertson
Blaze of Glory (The big Crunch) Richard Scarsbrook
Bread Peter Watson
Carousel Cheryl Nicol
Celebrating Jack Kirby Wright
Circus Simon Turner
Closing The Door Diane Simmons
Clowns Amanda O’Callaghan
Colours of Love Anna Nazarova-Evans
Crack Yuval Maoz
DVD Day Michael Botur
Emergency Broadcast System Richard Scarsbrook
Grace Filipa Komuro
Humbuggery Jan Kaneen
I Live Near A Baked Bean Factory Graeme Dart
I’m going to Tecumseh’s Point to pick up our
new dining room table I’ll be back soon
Gabriella Buonassisi
In the Final Analysis Richard Newton
John Ruskin and Turner in the Bashkirian Age Tom Offland
Lemons Jacqueline Pye
Never Seen Before Alex Vrettos
No One Sees Him Anymore Neil McOnie
No Second Date – Explanation 5 Xanthi Barker
No Smoke Without a Pyre Richard Newton
Outside Dame Judi’s Victoria Barry
Picasso Dreams Damyanti Biswas
Premium End Jo Bradshaw
Radio Alarm William Davidson
Sailboats Sarah Henry
Scarlet Letters Lucy Lapinski
Shadow or Shade John O’Connor
Song of The Harpa Jo Riccioni
Stuck Veronique Kootstra
Synaesthesia Adam Trodd
Talc Nick Black
The Bespoke Fortune Cookie Company of San Marco Bay Jacqueline Haskell
The Boots Are More Important Alexia Bartlett
The Gift Susy Churchill
The Mermaid Dagmar Seeland
The Most Amazing Mark Ralph-Bowman
The Muse Emily Devane
The Rodeo Rider’s Wife Orla Donoghue
The Ship Jenni Fagan
This Is How They Drown Eileen Merriman
To The Men I Have Tried To Seduce With Prose Lucy Durneen
Welcome Home Josh Bunt
What My Love is Like Ahlissa Eichhorn
What Was True Molia Dumbleton

BathFlash

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Ad Hoc Fiction

Ad Hoc Fiction is our free to enter weekly mini competition. Running separately from our main Bath Flash Fiction Award, Ad Hoc is a winner takes all deal, selected by public vote. That means we publish your Ad Hoc piece along with all the other Ad Hocs so that people can vote on them.

Should you win at Ad Hoc Fiction, you’ll earn yourself a free entry to our main Bath Flash Fiction Award. Simply put, if the public decides you have the talent, you can take a shot at our £1400 in prizes. Free.

One clause: The piece that wins you Ad Hoc Fiction cannot be the same piece you submit to Bath Flash Fiction Award. You’ll have to write a new one.

You’ll find Ad Hoc on the top of page menu, or use this link.

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Interview with our Judge
Annemarie Neary

annemarieneary2014 was a successful year for our judge,  Annemarie Neary. She won the Michael McLaverty short story competition, achieved joint second place in the KWS Hilary Mantel international short story competition, and was joint runner-up in the Sean O’Faolain international short story competition.

Emma Mitchell, senior editor at Hutchinson (Penguin Random House UK), bought world English rights to her novel, Siren, as well as one other book. About Siren she said:

“This brilliant novel grabbed me right from the dramatic opening scene. Annemarie is an outstanding storyteller and builds the tension, page after page, to an exhilarating denouement. I’m delighted to have her for the Hutchinson list.”

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Knowing When

Editor’s Note

We now have entry closing dates for reasons explained here. This page simply remains to give a historical context to the development of our Award.

There is an aspect to Bath Flash Fiction Award which sets us aside from any other writing competition. Namely, our deadline date. We don’t have one. Our award closes when we have one thousand entries.

In most writing competitions with deadline dates and big prizes, a large percentage of entries – often more than 50% – arrive during the last two weeks of the entry period. Knowing the deadline in advance means writers tend to wait several months after the competition opens before sending in a submission. We thought it would be interesting to try something different. We want to give entrants ownership of the deadline. “When is the deadline?” becomes “Is my piece ready?”

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Bath Flash Fiction Award. Our First Week.

Bath Flash Fiction Award opened just one week ago on the 12th February 2015. Already, we are receiving entries and signing up members from all around the world. The pictogram below shows our opening first week in visitor numbers. We would like to thank all of you for the amazing amount of support and encouragement that you have afforded us over our launch week. We feel confident that, because of you, the Bath Flash Fiction Award community  will continue to grow from strength to strength.

launch-week

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Membership Explained

Editor’s Note

We no longer run membership for reasons explained here. This page simply remains to give a historical context to the development of our Award.

Membership is a good option for submitting multiple entries. At £5.00 for three months, members can submit an unlimited number of entries for £4.00 each. Membership can also be used to spread the cost of a single first entry between two smaller payments.

Membership reduces the cost of multiple entries

Since membership costs £5 and allows an unlimited number of entries at £4.00 each, the more entries a member makes, the less the total cost per entry. The table shows the savings.

Member cost per entry according to number of entries
Number of Entries The Maths Cost per Entry
One Entry (5+4)/1 £9.00
Two Entries (5+4+4)/2 £6.50 each
Three Entries (5+4+4+4)/3 £5.67 each
Four Entries (5+4+4+4+4)/4 £5.25 each

Membership splits the cost of a single entry

Since the £5 membership lasts for three months, a member can wait a period of time before making a first entry. In effect, the cost of a single £9 standard entry is split in two parts; a £5 membership payment followed by a £4 entry fee up to three months later.

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What is flash fiction?

Flash fiction refers to stories 1000 words and under. This very short form has been growing in popularity since the 1980s gathering many names along the way. Some examples are: sudden, micro, nano, smoke-long, skinny, hint fiction and for tiny stories of 100 words and 50 words respectively – drabble and dribble.

In the article The Remarkable Reinvention of Very Short Fiction, Robert Shapard gives some history and possible explanations for this expanding surge of interest. One suggestion is that these days, readers love to be able to read short pieces on phones, tablets and other devices, then forward them to friends.

Attempting to define what flash fiction is, Shapard includes the following metaphor by Luisa Valenzuela:

“I usually compare the novel to a mammal, be it wild as a tiger or tame as a cow; the short story to a bird or a fish; the microstory to an insect (iridescent in the best cases).”

The comparison works for us. Writers and readers say, despite the brevity of flash fictions, the best echo long after reading. To sight an Emperor Dragonfly is a wondrous event. If we can get close to one, even for a moment while it hovers on a leaf, it’s even better – the memory, with its myriad of connections and sensory impact will stay for years.

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Annemarie Neary
Our Inaugural Judge

annemarienearyAnnemarie is an Irish-born novelist and short story writer, now living in London. Her awards for short fiction include both the Bryan MacMahon and Michael McLaverty short story competitions (Ireland) and the Columbia Journal fiction prize (US). She has also been a prizewinner in the Bridport, Fish, UPP Short FICTION, and KWS Hilary Mantel short story prizes, amongst others. Her novel Siren is forthcoming from Hutchinson (Penguin Random House UK) in Spring 2016.

www.annemarieneary.com
@AnnemarieNeary1

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