Debra A Daniel February 2022 Third Prize

Grand Canyon Official Form 477D

by Debra A Daniel

Standing at the canyon’s edge, I see my ex struggling below. But maybe not. Maybe it’s a bear. Or a clown. Or a clown wearing a bear suit. Or vice-versa.

Although it could be my ex being eaten by a bear. That seems like something that would happen to him. Then he’d lie about it later. He’d make up some story, some half-truth difficult to trace.

“No,” he’d say. “That bear didn’t eat me. We were just joking around.”

“No,” he’d say. “I went to school with that bear. Great guy, Gary. Gary Bear. He lived two doors down. His mom always baked cookies for us.”

I look again. Hmm. It looks more like a clown now. Yes, a clown, for sure. My ex was afraid of clowns, ever since that Stephen King book came out.

Not that he read it. He never read anything. Not even my stories. He just thought it was cool to be scared of clowns.

Now, looking again, I’m pretty sure it’s a clown eating a bear.

Still it could be my ex. He’s so far down in the distance. I can’t tell.

“Is anyone missing a clown?” I ask the ranger. “Do bears suffer from coulrophobia? Have you ever been married to a pathological liar?”

The ranger shrugs. “I can’t answer unless you file an incident report,” she says. “Go to the welcome center. Ask for Official Form 447D Ex/Clown/Bear Attack.”

I take one more look into the canyon. There’s definitely a struggle still going on down below. I hope my ex isn’t being eaten by a bear.

But my tour bus is loading up, and he really isn’t my problem anymore.

About the Author

Debra Daniel, from South Carolina, sings in a band with her husband. Publications include: The Roster, (Ad Hoc Fiction, highly commended for the Bath Flash Fiction Novella-in-Flash, 2019), Woman Commits Suicide in Dishwasher (novel, Muddy Ford Press), The Downward Turn of August (poetry, Finishing Line) As Is (poetry, Main Street Rag), With One Eye on the Cows, Things Left and Found by the Side of the Road, Los Angeles Review, Smokelong, Kakalak, Emrys, Pequin, Inkwell, Southern Poetry Review, Tar River, and Gargoyle. Awards include The Los Angeles Review, Bacopa, the Guy Owen Poetry Prize, and SC Poetry Fellowships. Her second novella-in-flash A Family of Great Falls was shortlisted in the 2021 Bath Flash Fiction Novella-in-Flash Awards and was published by Ad Hoc Fiction in July 2021.

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Kathryn Aldridge-Morris February 2022 Commended

Riptide

by Kathryn Aldridge-Morris

When the nurse returns, he’s in a wetsuit, an oxygen tank strapped to his back, clipboard in his hands, says he’s a mental health nurse and you think ‘Sure!’ as the carapace of a sea turtle grows from his ribs and he shakes seaweed from your files and that thing you’re doing with your arms? you think it’s swimming but it’s the start of drowning and knowing the bottom of the seabed smells of hospital linoleum you try to catch hold of something to help you float, like a child’s armband left behind in the sand, or a mantra, an inflatable mantra: she sells seashells on the seashore—nice—and the nurse seems pleased with you, Keep going, he says, and you don’t let yourself look at the orange windsock behind his head, you focus on the slow tide of words which lap across the lines on his notebook, a memory sunk within you scratching its way out through his pen: Sean’s jacket puffed up in the water; Scratch Scratch, says his pen, then he tells you, It only takes a half pint of seawater to enter the lungs to start drowning, and you look at the plastic cup he’s handing you – that water is not from the cooler, is it? it’s from the fish tank on the side, the fish tank full of dogfish, stingrays, and the red rubber sandal of a six-year-old boy, but you drink it because if you don’t, it’ll go down in a tick box marked paranoia and that’s not a tick box you can swim in, and swimming’s what you need to do right now, swim, out to the buoy where you see your son waving, swim for god’s sake, move your limbs—he needs you.

About the Author

Kathryn Aldridge-Morris is a flash fiction writer with work forthcoming or in Flash Frog, Bending Genres, Emerge, Janus Literary, Ellipsis Zine, The Phare and others. She has stories in seven anthologies, including And if that Mockingbird Don’t Sing. She lives in Bristol, UK, and tweets @kazbarwrites

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Sam Payne February 2022 Commended

When a Youtube clip of Diego Goes Viral

by Sam Payne

Everyone sees Diego pacing his enclosure, those big bear eyes of his all sad and lonely. But Diego hasn’t been the same since his brother died. There are plans to pair him with Tallulah, a rescued dancing bear who’s a bit of a handful, and even though Diego’s never had a successful relationship the zoo will try anything to make him happy. They explain all of this in a lengthy PR campaign, but people still gather outside the entrance waving placards and chanting no more cages and nobody visits because nobody wants to walk through a full-blown protest. Except Harry. Harry, who works the night shift at Ginsters and owes nineteen grand in payday loans. Harry, who’s been coming here with his daughter every other Saturday for months. What do they think will happen if the zoo closes? This is Diego’s home and it’s no fun having to leave your own home, I can tell you. Harry’s daughter, who once stepped on a spider and cried every night for a week, trails behind as he points out flamingos, llamas, zebras and rhinos, but when they see Diego she stops and her bottom lip wobbles and Harry knows what’s coming and he gets down on his knees and says, shit, none of this is perfect kiddo, you know how it is. Some bears end up in Alaskan rivers slapping salmon up in the air and some bears end up here. That’s just life. And even as he says this, he knows it’s not right, he knows he’s making excuses and his daughter pulls away and Harry looks at Diego, looks into those big bear eyes, all sad and lonely, and all around them baboons shriek, hyenas laugh, and somewhere not far from here, a wolf howls to an absent moon. 

About the Author

Sam Payne lives in the UK and her work has appeared in a variety of places including; Fictive Dream, 100 Word Story and Flashback Fiction. She won Flash 500 in 2020 and prevously placed 3rd in the Bath Flash Fiction Awards. She holds a BA in English Literature and a Masters in Creative Writing. Sam is also a reader at Janus Literary and is on twitter @skpaynewriting

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Ad Hoc Fiction, Small Press Award regional finalist!

We’re very proud that Ad Hoc Fiction, our short short fiction press is, for the second year running, a regional finalist (South West) in The Bookseller Small Press of the Year Award! They said they had more entries than ever this year,so it’s wonderful to have reached this stage. The winner of each of the regions will be announced on 17th March. So fingers crossed for then.
Have a look at our 2021 round up to find out more about the books Ad Hoc Fiction published last year. Eighteen different ones: anthologies; single author collections; a craft guide book and twelve novellas-in-flash. A lot for a tiny team of two, in pandemic circumstances! More books in the pipe-line, out this Spring.

As Well as publishing books, along with Bath Flash Fiction, Ad Hoc Fiction is a sponsor for our in-person Flash Fiction Festival taking place in Bristol UK, on the weekend of Friday 8th to Sunday 10th July. Booking open now. Ad Hoc is donating book bundle raffle prizes and the production and publishing of the Festival Anthology, which will be published after the in-person festival with stories from participants and presenters. Our small press has also donated the publishing and printing costs of the anthology from the online festival days. This book is in production now, and will be out soon and sent out free to contributors worldwide.

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Prompt 4 of a series by David Swann

The fourth in our series of prompts from David Swann, winner of the 2021 Novella in Flash Award. Our 20th single flash award, judged this round by Karen Jones, closes tomorrow, Sunday 6th February at midnight GMT. There’s a prize pot of £1460 and an opportunity to be published in our year-end festival anthology if you reach the longlist of 50. If you want inspiration for a last minute flash, look at David’s idea below. He gives an example about how he used Ekphrasis in his novella in flash, Season of Bright Sorrow.

David says::
Ekphrasis is one of the oldest tricks in the book, used by Homer in The Iliad. It’s when one art form responds to another, e.g. you write a poem about a painting. In Season of Bright Sorrow, on p. 79, I connected the wandering boy Archie to an ancient artwork in a church, and incorporated a description of the prop, as ekphrasis usually does.

Viking giant
Archie spotted the stone as he trotted home at last, past the open door of the church. It was a hogsback, the sign said –a curved grey oblong that the Vikings had cut to resemble a wild boar. It had lain exposed for centuries in the graveyard on the headland before being dragged indoors. There was another plaque explaining something about the stone’s purpose, probably to guard an important grave, but Archie was entranced by the object, and never had time to absorb the words. He used one finger to trace a stag and a wolf. There were trees too, and what felt to his finger like birds, but it was the snake that held him, a braiding of stone that formed the frame for the carvings. Its scales made the hogsback scary and reptilian, as if a fossilised crocodile had washed up. What Archie liked most of all was the giant human figure
which had braced itself beneath the serpent and raised both arms as if in celebration of a goal. The figure’s outstretched arms looked like they were supporting the full weight of the snake. Archie smiled. The figure was going to hoy that massive creature into the sea.
‘Can I help you, young lad?’
No, Archie never had the time. He loved an old church until someone in a collar or a uniform turned up, the vicar or the sexton. Then that was that for Archie – he was offski.He was fast, true. He ran like a hare. What he missed was some muscle. Maybe if he trained, he’d end up like that Viking giant, lift his enemies in the air and throw them in the sea.


David’s prompt_

Attempt the same — take a wandering character and connect them in some way to an artwork that fascinates you.

You’ll find interesting examples of ekphrasis here:

Guest Blog: 10 Examples of Ekphrasis in Contemporary Literature by Patrick Smith.

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What’s happening in February – read all about it

There’s a lot going on this February! Our 20th Award for flash fictions of 300 words or under ends this week, Sunday 6th February. And for intrepid last minute writers, the Last Minute Club with badges for late entrants opens on the final day. Writer and editor, Karen Jones is judge for this round. You can see what particularly appeals to her and get some great tips in our interview. There’s a prize fund of £1460. Results are out by the end of February. And all longlisted authors are offered publication in our end of year anthology.

The launch of Snow Crow the 2021 Bath Flash Fiction Award is this Friday, 4th February. Many of the winners, commended and some writers of listed stories from the 135 in the book will be reading their brilliant pieces. If you would like to come, write to jude (at) adhocfiction (dot) com for a link.

The longlist for the 6th Novella in Flash Award will be announced later this month. The judge is Michelle Elvy, a New Zealand based writer, editor for Best Small Fictions and founder of the long established literary online magazine, Flash Frontier. Ad Hoc. Final results out in April.

The Fourth of our second series of online flash fiction festival days, The Great Flash Fiction Throw Down takes place on Saturday February 26th with workshops from Nancy Stohlman, Farhana Shaikh, Matt Kendrick, Jude Higgins and Meg Pokrass and Jeff Friedmann. Plus readings. The festival contest where you can win a mug and £30 is judged by Sage Tyrtle. Only £30 for the whole day with videos sent afterwards.


And, Very Exciting News! The fourth in-person Flash Fiction Festival
, sponsored by Bath Flash Fiction Award and Ad Hoc Fiction is opening for bookings this Thursday 3rd February. The event takes place in the wonderfully located Trinity College, Bristol, glimpsed here in the picture. 8-10th July 2022. We’ve a fantastic line up of workshops and panels over the weekend. Often four running in parallel for people to choose from. Presenters leading workshops are: KathyFish, Nancy Stohlman, Christopher Allen, K B Carle, K. M. Elkes, Karen Jones, Nuala O’Connor, Vanessa Gebbie, Carrie Etter, Jude Higgins, Hannah Storm, Deb Tomkins, Judy Darley, Alison Woodhouse, Emily Devane and Sharon Telfer, Tim Craig, Alison Woodhouse. Stephanie Carty, Electra Rhodes, Michael Loveday, Diane Simmons and Johanna Robinson, Susmita Bhattacharya, Ingrid Jendrzejewski. Lovely meals from a Bristol based caterer, bookshop, readings and karaoke in the bar! We plan to offer an online component to the Festival also. More details on flashfictionfestival.com tomorrow (Feb 3rd)

Finally, Ad Hoc Fiction our short short fiction press is working on four books, two more novellas in flash; the Flash Fiction Festival Anthology Four from all the online days up until January and the guide book on writing a Novella in Flash by Michael Loveday. All out in early Spring.

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Prompt Series from David Swann, No. 3, Long Sentences

If you want to vary your sentence length for interest and colour in your flash fictions, read what David Swann has to say about writing long sentences and the example of a long sentence from the story called ‘Sentence’ in his first prize-winning Novella in Flash, Season of Bright Sorrow available from Ad Hoc Fiction and Amazon. We love the triple meaning of the title ‘Sentence’ in this story. There is literally a long sentence, the character Lana is ‘sentenced’ to live in a dilapidated boarding house and her father is serving a sentence in prison.

David says:
The first part of the flash ‘Sentence’ copied below from page 83 of my novella in flash Season of Bright Sorrow is written as one continuous sentence. I enjoy these experiments because they shake me out of old habits, and I like seeing where the sentence carries me. I think there are also long-term benefits, e.g. the elastification of one’s syntax. Usually this device works best when the lone sentence has a character and/or narrative purpose, and isn’t simply showing off! Here, I was trying to give a sense of mounting panic in Lana, so that the form and content were working together. My friend Greg Challis once wrote a hilarious long-sentence flash that was powered by the pomposity of the treasurer of a working man’s club who was offering increasingly ridiculous explanations for some missing funds.

Sentence
Yawning and rubbing her eyes, Lana stumbled towards the shower, worried as usual that she’d breathe in spores from the bathroom’s fetid air, worried that the spider may have been forced by some obstacle to hang even closer than usual to the mirror where she brushed her hair and that it would get tangled up with the brush and wriggle into her ear, as a kid at school had claimed was possible, not that you could trus the squirts in her class, most of them as bad as Archie, the stuff they came out with: wild boasts and bare-faced lies – for instance, loads more mad stories spouted by the lad who’d invented that nonsense about spiders wriggling into your brain, the same lad who’d claimed that no piece of chewing gum was ever digested by your body, so that all the chewing gum you ever swallowed would still be in your stomach when you died, and if the morticians cut you open with a knife, they’d find it all rolled up together, an entire history of your horrible habits compressed into a solid pink boulder, like the gum they’d discovered inside the life prisoner after he’d snuffed it in his cell of scurvy or something like that, what with the lack of vitamins in him, on account of scoffing junk like chewing gum for twenty years, which, of course, Lana should know all about, her being the daughter of a bloke who was serving a life sentence for…

For Tips on writing long sentences, read this at Copybot
How To Write A Brilliant Long Sentence

The digital age has changed the way we read. We skim copy for important bits of information that cater specifically to our need to know. Being concise and grammatically nuanced, as well as quick and relevant is a challenge.

Another writing tip from David Swann coming next week!

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