The Baby Came Early, Screaming
by Elisabeth Ingram Wallace
Davina clocked Harold the second he was born. She slapped his arse and shoved her wrist-watch in his mouth. He sucked the tinny heartbeat, silenced. “I understand you,” she said. “You just need more time.”
By six-months old, he had twenty-six manual alarm clocks, four digital time-pieces, and a free-standing grandfather clock which he slept in like a crib. The days pounded. The flat pulsated. Davina slept in the bathtub like each night was a hurricane warning.
Each time Harold cried, Davina gave him a new watch, or let him touch the numbers on her iPhone. Then the wailing began again.
“What’s wrong Harold?”
But Harold just sobbed, his big hands in his mouth. The hands were from a 1919 train station clock. Czechoslovakian, solid bronze. She’d bought them off eBay.
“You’re too small a number to explain. Maybe when you’re one, or two. Then you can tell me what’s wrong.”
She played him ‘Hammer Time’. She read him ‘The Hours’. At night the clocks glowed neon, and crawled round the room with their slow worming glow.
They listened to the woman on the phone-line tell them the Greenwich Mean Time, over and over, and the time was always different, except for twice a day.
That’s where Davina got the idea. To stop all the clocks, before time consumed them. “Then you’ll be right. Not wrong. At least twice a day.”
Davina killed the iPhone in the washing machine, on Cottons, ninety degrees. She unplugged alarm clocks, removed batteries from watches, pulled pendulums from carriages.
From the grandfather’s belly, Harold kicked, howled and emptied. Davina had morning sickness, all over again.
About the Author
Elisabeth did lots before fiction: silver-smithing, production design, and working as a prop-maker for children’s TV. She’s made diamond rings, giant emus, a dog’s birthday cake, as well as shoving steaming microwaved tampons into pies to make them look fresh-out-the-oven-scrumptious. After receiving a Dewar Arts Award, Elisabeth studied Creative Writing in Glasgow, and has been published in two anthologies and edited another. Elisabeth is currently writing ‘The Precinct’, an apocalyptic short fiction series, and is in the middle of writing ‘Lobster Queen’, her first novel.
Anita is a Bristol based writer, full-bodied with a nutty after-taste. She writes about people living on the edge of society, mental health and feminism. Transformation compels her and she is inspired by stories of positive activism. Anita can often be found performing her work in and around the South-West of England. She is currently writing a play exploring motherhood and mental health.
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