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Draft your flash novella during FlashNano

In 2012, writer and writing tutor Nancy Stohlman conceived the idea to run a series of daily prompts during November for those who wanted write a flash fiction a day instead of writing a novel during November for NaNoWriMo. Six years on, and a huge number of writers throughout the world take up her challenge each November. Read more about how she started this in my interview with her from last year.  Want to write a novella-in-flash for our third Novella-in-flash Award? We think with the motivating prompts Nancy supplies, November is an ideal month to create a flash fiction novella draft. Thirty stories and you’ll have a complete draft manuscript at the end of the month. Don’t know where to begin? The prompts themselves may give you initial ideas, and they can also push forward a vague idea you already have and take it in different directions.  You can also sign up to a Face Book group to receive daily prompts from Meg Pokrass throughout the month. Read in Full

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Deadline Fever

At Bath Flash Fiction, we love the buzz around the end of the Award on social media. We’ve never quite worked out the psychology around writers and deadlines, so if someone wants to try an explanation, let us know. For our Awards, the pattern is always the same, 80% of entries come in the last few weeks even though discounted entries are available in the Early Bird deals which end half way through the contest. Some people buy their Early Bird entries and submit much later but not that many. A very large number of writers enter on the final day. Those writers are members of the Last Minute Club. Last time we introduced a badge for them, pictured here. And there will be another one for avid collectors on Sunday 14th October, which is the last day for this award. K M Elkes, the winner of the June round told us he is an up-to the-wire kind of guy. He said he entered not long before midnight on the final day. Just the one story. Read in Full

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Nominations 2018-2019

We like to nominate winners’ stories from the Bath Flash Fiction Awards and the Ad Hoc Fiction winners for yearly anthologies and awards. Authors nominated by us have done very well. This year,’Tying the Boats’ by Amanda O’Callaghan, the first prize winner,from the June 2017 Award selected by judge Meg Pokrass was included in Best Small Fictions 2018 and The Hand That Weilds The Priest by first prize winner, Emily Devane, from the February 2017 Award, judged by Kathy Fish, was included in the long list out of thousands of submissions. ‘Roll and Curl‘, by Ingrid Jendrzejewski first prize winner in the February 2016 round judged by Tania Hershman was longlisted for Best Small Fictions 2017 out of a similar number of submissions, as was ‘White Matter’ by Julianna Holland, which won third prize in the October 2016 round judged by Robert Vaughan. Henry Peplow’s micro ‘Zeus Falls to Earth’, winner of Ad Hoc Fiction in June 2016 was also included in the Best Small Fictions 2017 longlist. Finally, we nominated Charmaine Wilkerson’s novella-in-flash How to Make A Window Snake for the novella category in the Saboteur Awards 2018, and it won the Award.

This year, two new opportunities to nominate stories have arisen. The Best Microfiction 2019 anthology co-edited by Meg Pokrass and Gary Fincke for stories 400 words or fewer published in 2018 and the Best 50 Flash Fictions from Britain and Ireland 2018-2019 organised by TSS. We’re also looking forward to nominating our winning authors again for Best Small Fictions 2019. See which stories we’ve currently nominated below. Read in Full

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Writers and Their Dogs

At Bath Flash Fiction, a few winners have mentioned their dogs in interviews with me after their wins. So as we near the end of the October 2018 round of Bath Flash Fiction Award, judged by Nuala 0’Connor, we’re giving the winners’ dogs a spotlight. Dogs are inspirational and we know several other dog-loving flash fiction writers, whose dogs are essential to their writing lives.

Molia Dumbleton’s lovely dog, Huckle is pictured here  with Molia. Molia won third prize in the February 2018 round of Bath Flash Fiction Award judge by Tara L. Masih, with her flash ‘Why Shit is Still Like This Around Here and Probably Always Will Be‘  In my interview with her, I asked her if her dog was her muse. She said. “I think my only muse might be a deadline. Ha! But sadly, kind of true. I go for very, very long walks with my dog and those are pretty essential, just for energizing and de-cluttering the head.” Read in Full

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Ad Hoc Fiction at the Free Verse Book Fair

Jude Higgins and Meg Pokrass will both be at the Poetry Society’s Free Verse  the Poetry Book and Magazine Fair, organised by The Poetry Society, on Saturday 22nd September in Senate House, London 11.00 am – 4.00 pm Jude will be taking along all the books published by Ad Hoc Fiction. Meg will be there to sign her new collection Alligators at Night published in July this year. Come along and say hello. We’ve special book deals on all the anthologies listed below: Read in Full

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Interview with K M Elkes, June 2018 Flash Fiction First Prize

Read KM Elkes first prize winning story, ‘Extremities’ selected by David Gaffney in the June round of the Award for an example of great flash fiction. Ken’s a writing tutor as well as a writer, and he ran an excellent workshop on ‘voice’, an aspect of writing he refers in this interview, at the recent Flash Fiction Festival in Bristol. He gives further useful writing advice, including “write hot, edit cool…, buy (or at least read) the publications you want to appear in (it creates a virtous circle. Pay close attention to language… don’t submit your sense of worth as a writer along with your story.” There are several more tips to inspire below. To stimulate his own writing, Ken frequently takes pictures of settings or objects that can evoke a mood and also photographs people and places when he is travelling. There’s some very evocative photographs included here that are likely to spark off stories from anyone who sees them. We now expect entries in our next competition about older men, beaches and prayers for success…

  • Can you tell us how your powerful and affecting winning story ‘Extremities’ came into being?

Ever had an earworm – a song that just won’t let go, that you keep playing over and over in your head? Extremities started like that – a single, crisp image of a hand lying on the floor of a forest while around it rain made a sound like applause. I carried that hand around with me a long time, but didn’t really know what to do with it. I put it in a notebook, like you might press a flower hoping to preserve it, but those fingers scratched against the pages until I had to pay attention. Eventually I went into the realm of What If? Along with prompts, What Ifs are the firestarters of fiction. What if the hand was just one of many limbs littering the forest, accidentally cut off in logging accidents. What if it was so common, people didn’t care that much. I found momentum, images coalesced, and with them came themes and tone and the big one (for me at least) voice. Not the voice of the hapless, handless Bobby, but his so-called friend, who has a distinct tone of detachment (see what I did there!). After all that, it took about an hour to write the basic text that formed the story.
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Interview with Jack Remiel Cottrell — Runner-up, Novella-in-Flash Award, 2018

Jack Remiel Cottrell is one of two runners-up chosen in the 2018 Bath Flash Fiction Novella-in-Flash award judged by Meg Pokrass Here he describes how his novella ‘Latter Day Saints’, published in our trio of winning novellas-in-flash In the Debris Field emerged from one single line which sparked his imagination and how he gets inspired from authors in many different genres and forms, including writers of ‘Twitter’ stories. We very much like his advice not to worry about what you are writing, or get hung up about different genres and making your novella fit under a ‘Literary’ label. Jack often writes in one of the most mesmerising locations we’ve heard about yet  the laundromat. We haven’t a picture of Jack in the laundromat, but we’ve included his note book and beer picture, his comment being “Are you really a writer if you don’t have a large stack of half-filled notebooks on your kitchen table? (Beer added for scale. Also for drinking.” In the second photograph taken by his writing teacher Kathryn Burnett, Jack can be seen “hunched over second from the left at the back, trying not to be distracted by the outside world.”

  • Will you give us a brief synopsis of your wonderful novella-in-flash, ‘Latter Day Saints’ for those who haven’t read it yet?
    A young man is attempting to find his patron saint, and in doing so meets a number of patron saints as they live in the 21st century.

  • At Bath Flash Fiction, we think ‘Latter Day Saints’ is a very inventive quest story. Can you tell us more about what sparked the idea to write it?
    I was 20 tabs deep in the mire of TVtropes.com when I came across something which prompted me to think of the line “It’s dark at the end of the universe.” If there’s one thing I love, it’s a good line. So I needed to find someone to say that line. I gave it to St Dominic, who is the patron saint of astronomers, who didn’t end up making the cut for the novella. From there, I wanted to explore the idea of patron saints in a modern setting. My narrator was initially supposed to be a reader proxy rather than a character. I wrote about three chapters before my writing group told me the narrator was actually the most interesting character, and they were right.

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New Collection by Meg Pokrass

We’re thrilled that Ad Hoc Fiction has published Meg Pokrass’s new collection, Alligators at Night, the first book of hers published in the UK. Acclaimed US author Stuart Dybek says of her new collection:

The nuanced tonal complexity, which can go from the whimisical to a darker irony in the turn of a phrase, has been a signature feature of the work of Meg Pokrass. That complexity is in her new collection, Alligators at Night, heightened further by the fertile invention and unpredictable interplay of these beautifully crafted pieces

The title story was recently chosen for Wigleaf’s best fifty stories of 2018 and another story in the collection, Barista was selected by Amy Hempel for Best Small Fictions, 2018.

Alligators at Night will be launched at the Flash Fiction Festival in Bristol, 20-22nd July where you will be able to hear Meg reading some of these brilliant stories and it is available to buy now worldwide in many different currencies from the Ad Hoc Fiction bookshop

Meg Pokrass is the author of four other collections of flash fiction, and one award-winning collection of prose poetry, Cellulose Pajamas which received the Bluelight Book Award in 2016. Her stories and poems have been widely published and anthologized in two Norton Anthologies: Flash Fiction International and the forthcoming New Microfiction and her novella-in-flash, Here Where We Live, is published in My Very End of the Universe the Rose Metal Press Guide to the form. Meg was the judge for the Bath Flash Fiction Award, Novella-in-Flash competition in 2017 and 2018. She is curator of Flash Fiction Festivals and editor of The New Flash Fiction Review She currently teaches on-line flash fiction workshops.

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