Tag Archives: Michelle Elvy

Launch Party for 4 Novellas in Flash, 22nd December!

Come to the launch party, hosted by Ad Hoc Fiction director, Jude Higgins on Wednesday 22nd December, 7.30pm – 9.30 pm on Zoom for four of the novellas-in-flash published from our 2021 Award! Published today (9th December 2021), in a beautiful line up, One For the River by Tom 0’Brien a runner up in the Award; and two short-listed novellas, The Listening Project by Ali McGrane and Kipris by Michelle Christophorou. We’ll also be officially launching Small Things by Hannah Sutherland, highly commended in the 2021 Award and published in October.

These are four brilliant novellas in flash, all very different and at the launch the authors will tell us more about them and each read three short pieces from the books.There will be break out chats and a book giveaways at the end of the evening. Hope you can come! Email jude {at} adhocfiction {dot} com for a link. All welcome. In the meantime, have a look at our 2021 judge, Michelle Elvy’s comments on the novellas.

You can buy all of them directly at the online bookshop at Ad Hoc Fiction. On each bookshop page there are also links for buying in paperback from Amazon world wide. And if you want a signed copy, some of our authors are selling them directly. Please DM them on Twitter to ask for a copy or email Jude at the above address for her to pass your details on.

And the last of the ten novellas in flash from the 2021 Award (the fifth yearly Bath Novella in Flash Award) will be published by Ad Hoc Fiction on 18th December. It’s the first prize winner, Season of Bright Sorrow by David Swann. Read more about it here. It is now open for preorder. We hope to launch David’s book in early January.

The 2022 Bath Novella in Flash Award closes on January 14th. Submissions welcome for novellas in flash in between 6000 and 18000 words. Michelle Elvy is judging again and results will be out in April 2022.

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Preorders open for Season of Bright Sorrow, winning Novella in Flash by David Swann

We’re thrilled that Season of Bright Sorrow David Swann’s brilliant first prize winning novella in flash from our 2021 NIF Award judged by Michelle Elvy is now up for preorder at a 25% discount from Ad Hoc Fiction, until publication day on 18th December.

It’s such a moving story, and is wonderfully illustrated with drawings by artist Sam Hubbard, some of which are shown below.

The striking cover image was also designed by Sam and shows a prison notebook. Sam and Dave have supplied a ‘Property of the prison’ stamp for us to use to make the book unique before it is posted off to purchasers. Season of Bright Sorrow will also be available on Amazon worldwide at publication, but you won’t get an individualised stamp there!

Here’s a brief synopsis:

After her father is jailed for murder, a young girl is re-housed with her mother in a crumbling resort. There are terrors here: tides and quick-sands, also a strange boy who wanders the marsh. But when the girl meets an elderly beachcomber who has known heartaches of his own, she senses that her fortunes could turn like the tide. The tide that rushes in faster than a horse, bringing life – and sometimes taking it…

Read in Full

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Three more novellas in flash available for preorder now!

Ad Hoc Fiction is publishing all the shortlist and winners from the 2021 Novella in Flash Award. Ten novellas in all and today three more are up for preorder.
You can read judge Michelle Elvy’s report here.

One for the River, a story about the tragic death of a young boy in a river by Tom 0’Brien was the runner-up in this year’s Award and he has extended the story for publication so it has even more poignant impact since we read it first at Bath Flash. We’re also pleased that Kipris by Michelle Christophorou a coming of age story set in British occupied Cyprus in the last century has a few extra stories in it, which add to the depth of this little written about period of history. The Listening Project by Ali McGrane focusses brilliantly on other aspects of loss — the loss of hearing and the loss of a brother.

All these books are beautifully written and address important issues in different ways. You can now pre-order at a 25% discount until publication day for all three on Thursday 9th October. We hope to host an online launch shortly and will keep you posted

Below, we’ve added a gallery of these three novellas in flash now up for pre-order and the six others from this year’s award already published and available from the Ad Hoc Fiction bookshop. They are A Family of Great Falls by Debra A Daniel, Things I Can’t Tell Amma by Sudha Balagopal, The Tony Bone Stories by Al Kratz, Hairy on The Inside by Tracy Fells, The Death and Life of Mrs Parker by Jupiter Jones and Small Things by Hannah Sutherland.

The winner of our last year’s award, Season of Bright Sorrow by David Swann will also be out soon. And if you want to enter next year’s Award, it closes on January 14th and is again judged by writer and editor Michelle Elvy

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Interview with Michelle Elvy about her hybrid collection, the other side of better

Ad Hoc Fiction, our short short fiction press, published the other side of better, by Michelle Elvy in June this year, exactly two years after publishing her innovative small novel in small forms, the everrumble, launched at the Flash Fiction Festival, held in Bristol in 2019. This new book is equally innovative, traversing the line between prose and poetry. In this interview Michelle tells us more about the book, the book launches which took place in New Zealand in June to co-incide with National Flash Fiction Day, NZ and what New Zealand poet laureate David Eggleton said about it. Michelle also talks about how she arrived at the title and the striking artwork for the cover by New Zealand artist, Jennifer Halli. the other side of better is also available from Nationwide and book shops in New Zealand as well as directly from Ad Hoc Fiction and in August and September Michelle is recording some online readings so we will all be able to hear stories from the collection. We are also delighted that Michelle Elvy, who judged our 2021 Novella-in-Flash Award, is judging the 2022 NIF Award which is open for entries now and closes on January 14th 2022. Read in Full

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Round- Up, 2021 Novella in Flash Award

Thank you to all those who entered our fifth yearly Novella-in-Flash Award. We received just over one hundred entries from around the world, about the same number as last year. It’s a difficult genre to write in, and we very much appreciated the range and variety within the entries both in style, setting and subject matter. There were many themes about relationships and family and also wider political issues and contemporary concerns. It was so enjoyable reading them and making the decisions, although hard, on which ones to include in the long list of twenty-five novellas. Michelle has written a wonderful report with comments on her process of selecting for the short list and choosing the winning novellas. We thank her very much for the extreme care she took over this process; many, many hours mulling over the choices for the shortlist and then choosing the three winners and two commended authors.

We love the novella-in-flash ‘genre’ at Bath Flash Fiction Award, and are so pleased that Ad Hoc Fiction is able to publish the entire short list of ten novellas this year. Many congratulations to all authors: our first prize winner, David Swann; our two runners up, Tom 0’Brien and Al Kratz; the two highly commended Hannah Sutherland and Sudha Balagopal and the five shortlisted authors; Michelle Christophorou, Debra Daniel, Tracy Fells, Jupiter Jones and Ali McGrane. You can read the biographies on our winners and shortlisted writers pages on this website and we will be publishing short interviews with them soon.

We are also much looking forward to seeing all these novellas in print to join 14 novellas-in-flash series already published by Ad Hoc Fiction since we ran the inaugural Award in 2017. Hopefully, the books all be available from Ad Hoc Fiction in paperback and from Amazon worldwide in paperback and digital versions by the end of this year or early next year. We will keep you posted.

The 2022 Novella in Flash Award will be open soon.

Jude Higgins
April 2021

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Novella-in-Flash 2021 Judge’s report, Michelle Elvy

What a very fine set of flash novellas! And what a daunting task – perhaps the most difficult reading I’ve done. A huge congratulations to every writer who completed a novella-in-flash and submitted, and then a further round of applause to the writers whose work is in the Long List. Wow.
Many thanks also to Ad Hoc Fiction/ BFFA for entrusting me with this challenging and rewarding task. I learn so much every time I read new sets of flash fictions – and this collection of novellas certainly raises the bar.
It’s no easy task writing a collection of stories with a narrative arc, with overtones and undercurrents, with full yet flawed characters, with suspense and mystery in such a small space. Every one of the novellas in the long list has something special about it – many of them intense family portrayals, many of them drawn from history of a place and the nuances from a time long gone, several of them capturing innocence and loss. The form is evolving; writers are taking more chances in the way they write novellas-in-flash, as this long list demonstrates. Some experiment with time; some explore voice and point-of-view in inventive ways; a few play with dialogue and the vernacular; one begins with a recipe.
This long list takes us from Augusta to Reykjavik. And the names: imaginative and evocative, from ‘Fishing Lines’ to ‘Throw A Seven’, from ‘Wild Boys’ to ‘His Raucous Girls’ – I wanted to meet the people in these pages.
The stories captivated me from the opening lines, too. Here are few memorable ones:
I’m starting to believe my own stories. – Remembering What the Doormouse Said

“Two girls in thrift-store broomstick skirts leap from the dinner table, two girls in the
desert smell rain.” – His Raucous Girls

“Sixty-one paces between the Pool of the Monster and the Elm Field. Cara says fifty-five. I don’t argue. Never argue. She’s a year older. Knows things I don’t know.” – Long Bend Shallows

“Greedy and selfish. That’s babies for you,’ said the old woman.” – The End of History

Arriving at the Short List took ages. I moved back and for the between stories, I examined beginnings, middles and endings. I examined dialogue and pacing. I walked away and let them settle into my brain and heart. I read them again. Finally, the ten on the short list emerged as they each took all of the things we love about the short form one step further. They took risks, and I admired them for that. Here’s a hint of what the short list holds:

A Family of Great Falls. Two sisters growing up with a sense of the potential promise that life may hold, as well as the dark realities that are unavoidable with a father who, as an undertaker, is the ‘keeper of the dead’ and a brother buried in the town cemetery. Oh, and a name that must be buried and farewelled, too. Tender but not sentimental, this is a balanced set of stories that reveal the bonds of sisterhood and the way two young girls face the hardest challenges.

Hairy on the Inside. A group of flatmates try to hold onto their compassion and civilising tendencies in the face of pestilence and plague – mostly. Their new lockdown lives include all the typical things, from counselling sessions to book clubs. But this is no ordinary tale: you will howl when the moon is full and grimace when there’s a hunger for blood. A funny and irreverent monster mash-up, with love in the mix, too, and a serious message about how to be the real you. Carefully written with excellent pacing but also: it’s clear how much fun the writer had writing this!

Kipris. New life, and repeated death on the island of Cyprus. A story that intertwines people and politics, historical drama and myth, in an intricate and lyrical way, moving from the oceanside to the mountains to lemon and orange groves, and then to Liverpool and back again. Spanning across generations from the 1940s to the 1980s, this is a study in self-determination and love, on many levels. And goats – filling us with warm frothy milk, filling the stories with sustenance.

The Death and Life of Mrs Parker. Set in the structure the title suggests, this novella brings the reader into the moment of Mrs Parker’s demise and then, with swift moves and snappy dialogue, takes us through her life (moments both special and mundane), all while the ambulance lights flare and the compressions are counted. A life lived, a life revived, a life lost: there are many wonderful moments in this clever set of stories.

The Listening Project. A boy lost to his family; a young girl growing up without her brother. This is a beautiful story of grief and the way it changes us. It’s also about tuning in, and learning to hear, as the title suggests: to both outside and inside worlds. Moving across generations and sometimes navigating delicate moments and thin ice, this novella takes us through a family’s sad story, but also rebirth – in more ways than one. Musical and rich in tone.

And now, here are the top placements…
HIGHLY COMMENDED
Small Things. A beautiful story of loss, told in a way that surprises you, because love is expansive between the people in this story – between Jude and his Da, between Jude and the memory of his Ma, between Jude and Una, between Jude and Kit. And even as the love is grand, the moments are captured with subtle storytelling, and the heart shines with all the small things between them. These stories hold sharp dialogue and sometimes uncomfortable encounters; these feel like real people building real relationships. Friendship and love resonate in these pages, and the ending is both surprising and perfect. The story is layered over the years, from Jude’s first encounter with the new boy Kit (age 7) to his early adulthood when the world is baffling and unbalanced, where weaknesses and strengths come to light. And Kit, Kit Kit, at the centre of it all. Exceptional storytelling!

HIGHLY COMMENDED
Things I can’t tell Amma. A coming-of-age story of a young woman studying abroad, reaching across oceans and time to her family back in Calcutta. Deepa misses the spices and comfort of home, but she embraces the newness and choice that this new world has to offer. Deepa’s encounters captivate the reader. The details take us there; this in 1981 America: giggly girls tune into General Hospital and Good Morning, America, President Reagan is shot, Prince Charles marries Lady Diana Spencer. Deepa is far from the traditions and expectations of her known world, and she opens her mind and her heart. It’s a world of jalapeño and new spices and even danger. And humour, too: there’s a clickety typewriter with a missing letter and ‘Whats-his-name’, the pet bird she can’t name. And there is love, first hinted at when Deepa does not pull back as Theo reaches for her hand, and then told delicately in second person and closing the set with a wonderful, gentle ending.

RUNNER UP
One for the River. An economy of words that tells a richly layered story. This is one of the shortest collections in the batch, and yet here we have so much as the writer shows the death of a boy from many views and paints a picture of the people who inhabit this small town. A great deal of control is exercised here; both the writing and the story are restrained but full. The themes intrigue: impermanence versus permanence; a fleeting moment versus decisive finality; an encounter observed as chance but with clear results. A photograph not taken encompasses the idea of ‘would have/ could have…’, while a stone carved with hammer and chisel reminds us of what can be said without words. This story leaves me with images of these people, and the moments between them – some wicked, some funny, some full of sorrow and also grace. And there’s a play with language, too: the chip van, the chipping of the stone; the rock of one’s life, the rock that Aiden drags, Sisyphean, to the bridge where the drowning boy was first observed. The idea of change, too: what happens to Fat Barry; what happens to Aiden. And then there’s the drowning itself – the five stages that are essential and eloquent, placed between the scenes. Spare in style, this small set of pages resonates with the complexities of an entire novel.

RUNNER UP
The Tony Bone Stories. A strong and sure narrative, this lively set of stories explores truth and fiction, the line between reality and make-believe, and the way one story will influence the outcome of another. It is worth noting that this is one of the few novellas in the Short List that does not deal with death and grief; this is a completely different take on The Meaning Of Life. I applaud the writer for taking a route that is fresh and fun. Rich in layers and confident in voice, the writing is witty, humorous and charged – and leaves the reader with a delicious set of questions to ponder, without being overly ponderous. It’s a romp through Tony Bone’s world – the good moments (he has a girlfriend!), the sleepless nights, the trip to Vegas – all the while working alongside his, and the narrator’s, existential crisis. Tony Bone has to exist, yes, but there must be a reason; as we learn here: you can’t just take someone from a news story and create a character to bring to your writing group, right? The narrator must build Tony – and plausibility – before our eyes. What a fun and rewarding exploration of the relationship between character, narrator and reader, and a reflection on possibilities, down to the very last marvellous line.

FIRST
Season of Bright Sorrow. A girl lives by the sea, and the rhythm of life both lived and observed emerges in these pages. Here we have a gathering of things unexpected: an external exploration of young Lana’s world, and the internal workings of her imagination, both built artfully by the writer. This collection stands out for the rhythmic storytelling and the variety the reader encounters in these small fictions – told in fragments, in lists, in long breathless sentences, in repetitions, in sharp and believable dialogue. There is great care here, and yet the stories spill from the page seamlessly. We peek into a bag and see what’s being collected; we have glimpses of a map, shards of shining things. There is both breadth and depth in these stories, and each page reveals something more: faraway objects and items close up need examining, need understanding. The strong characters are woven together beautifully: Lana with her missing father, her not-too-sober mother, an old man collecting objects along the beach and an unlikeable boy. The encounters are poignant and surprising. And we get the sense that, despite a yearning for order and control, there is a wildness, too: from lions to spiders to whelks to whales to the sea itself. By the end, Lana – and the reader – come to terms with realities and limitations that this life delivers, but there is an innocence and a hope that lingers, too. A superbly designed set of stories, from beginning to end. And although the style and confidence of the prose itself is enough to garner the top prize in this competition, it is worth mentioning here that the sketches that accompany the writing add another intriguing layer.

An extraordinary set of novellas-in-flash! I hope you enjoy them as much as I have!

-Michelle Elvy
April 2021

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Novella-in-flash 2021 Short List

Many congratulations to all the authors who sdfd selected for our Award shortlist.

Novella-in-Flash 2021 Award ShortList
Title Author
A Family Of Great Falls Debra Daniel
Hairy On The Inside Tracy Fells
Kipris Michelle Christophorou
One For The River Tom O’Brien
Season Of Bright Sorrow David Swann
Small Things Hannah Sutherland
The Death And Life Of Mrs Parker Jupiter Jones
The Listening Project Ali McGrane
The Tony Bone Stories Al Kratz
Things I Can’t Tell Amma Sudha Balagopal

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Interview with Michelle Elvy, Judge Novella-in-Flash Award 2022

    We thrilled Michelle, who judged our 2021 and selected some fantastic novellas in flash, ten of which (winners and shortlisted) are being published by Ad Hoc Fiction in 2021, has agreed to judge the 2022 Novella-in-Flash Award, open for entries shortly and will close in mid January, 2022 Results out April, 2021 Read Jude’s interview with her below if you want to write a novella for our Award. Michelle has many interesting things to say about the form and the process of writing a novella-in-flash.

Read in Full

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Review by Marissa Hoffmann of ‘the everrumble’ by Michelle Elvy

Michelle Elvy’s small-novel-in-small-forms, the everrumble was published by our Award Winning Press Ad Hoc Fiction on 22nd June this year and launched at NFFD New Zealand on that day and a week later at the Flash Fiction Festival in Bristol, UK. It is an extraordinary book and has received great advanced acclaim from Christopher Allen, who introduced it at the festival, Robert Scotellaro, Tracy Slaughter and Catherine McNamara. the everrumble is currently longlisted for the Not-The-Booker-Prize at the Guardian Newspaper in the UK. If you would like to support a great small novel reaching a larger audience, please vote here for her book by August 5th. You have to make a comment on the book and nominate another one by a different publisher. You can buy the everrumble in paperback in several different currencies for posting worldwide from the Ad Hoc Fiction bookshop or in digital format as a Kindle book, via Amazon. Michelle is doing a reading tour of her book in the USA in August and September and following that in New Zealand and Europe. We recommend it as a ground-breaking book and thank Marissa Hoffmann, a writer based in Switzerland, who came to the flash fiction festival this year, for reviewing the novel below.

Review by Marissa Hoffmann

the everrumble is a journey into the senses with protagonist Zettie who, aged seven, stops talking and finds the world becomes louder with the smaller sounds. So acute is her hearing that Zettie—in love with life—painfully aware of the cruelty of man—finds solace in her connection to the world through living sounds; heartbeats, whale cries, a language in the roots of the trees, or a mosquito several houses down the street. Zettie spends a lifetime learning how to control the cacophony.

In the opening story entitled ‘Dark and Shadow’, we first meet Zettie as a small girl finding a small space in a sensory world, “Zettie has curled herself so tight she can’t feel the fissures anymore; she’s smooth like a marble, no sharp edges. Under the woolly cover, she hears her own breath and nothing else. The blanket is blue and green, with streaks of orange (papaya, really) and yellow (mango really) and a deep red: primeval soil”

Because each story is so rich with colour and texture, with temperature and taste, the exquisite language carries the reader musically, poetically, nourishingly closer to Zettie, leaving us unable to respond with anything other than love for her.

All of Elvy’s stories use Zettie’s experience of sound and space, her primal connection to nature as a way for the reader to understand how Zettie makes sense of the world. A particular favourite story of mine deals with the question of why she is silent, simply with the answer—and the story’s title—’Because’.

The collection reads like a snakes-and-ladders journey, jumping forwards and backwards through Zettie’s whole life and sliding into her dreams along the way. We come to know Zettie’s small world and her sense of the whole world all at once. Playful Zettie names individual bees, curious Zettie travels and finds love—always searching for the ‘everrumble’—and the contented elderly Zettie joyfully embraces her metaphysical investigation into time and truth through sound and stories, phrases and languages.

The structure of the everrumble is supported with markers of time and space. Book notes, made by Zettie, begin each story offering poignant extracts that hold truths for her, quotes she takes guidance from. Elvy has expertly placed a heartbeat of historical moments pulsing throughout the stories that serve to contextualise Zettie’s conflicts and responses. Carefully chosen moments provide the geography of Zettie’s travels by sea and land for example when she shares the first time she sees an elephant or when she tenderly holds a dying child for the crying parents.

We find ourselves slowing our own hearts to listen and appreciate. Although Zettie’s relationships as a daughter, friend, a lover, a mother maybe without voice, they are filled with laughter, with warmth and with shared understanding. Everrumble asks ‘have you ever heard the sleep of a child? It is the colour of soft melon, the smell of freshly moan grass’. That sound, a sleeping child, we know the beauty in that, it’s a physical experience, just as the book is. the everrumble is a whisper and a roar.
Marissa Hoffmann, July, 2019.

Marissa Hoffmann’s flash has been awarded highly commended at FlashBack Fiction and short listed at the Bath Flash Fiction Award and Flash Frontier’s ‘Micro Madness’ contest. She is an Ad Hoc Fiction winner and has stories at Milk Candy Review, Bending Genres, Paragraph Planet, The Drabble and Reflex Fiction. Marissa has flash forthcoming at Citron Review and StorgyKids and is a fiction reader at Atticus Review. She tweets @hoffmannwriter.

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Out today! ‘All That Is Between Us’, by K. M. Elkes and ‘the everrumble’ by Michelle Elvy

It’s 22nd June and National Flash Fiction Day in New Zealand! On this auspicious day, Ad Hoc Fiction, our short-short press, which recently won best publisher category in the Creative Bath Awards, is thrilled to publish the everrumble ‘a small novel in small forms’ by Director of NFFD, New Zealand, Michelle Elvy and All That Is Between Us the debut flash fiction collection by K. M. Elkes from Bristol, UK, who was one of the judges for NFFD New Zealand’s micro competition, MicroMadness which culminates today. We love these global connections from authors in different hemispheres. And is doubly exciting that Ken and Michelle are teaching workshops at the Flash Fiction Festival, Bristol UK next week 28-30th June and are launching their books there.


Both collections have received many glowing endorsements from well known flash fiction writers and teachers.

Here’s one from Tania Hershman about All That Is Between Us

“I could dazzle you with well-chosen superlatives or make clumsy attempts to sum up K. M. Elkes’ work, but really what I want to say is: This collection is so good. So very, very good. Whoever you are, whatever you like to read, you need these stories in your life.”
Tania Hershman, author of Some Of Us Glow More Than Others

And one about the everrumble from Christopher Allen.

“A tour de force, Michelle Elvy’s the everrumble is a profound, poetic constellation of notes on the Earth’s ‘alive noises’, the hope that lives in the natural world. Zettie’s story – all her moments of evolving, her capacity to listen, and her gift of becoming all the sounds of the earth – affected me to the core.”
Christopher Allen, author of Other Household Toxins

You can buy both of these brilliant collections now in paperback in several different currencies for worldwide posting directly from the Ad Hoc Fiction online bookshop. Go straight to the bookshop page for All That Is Between Us by K M Elkes here and straight to the bookshop page for the everrumble by Michelle Elvy here. And you can also buy in digital format on Kindle via Amazon. Links to Kindle for each collection are on the bookshop page.

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